Production network

Fx

Los Angeles, California

What We Do in the Shadows

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836/1000
2019

A documentary-style look into the daily (or rather, nightly) lives of three vampires in Staten Island who have “lived” together for hundreds and hundreds of years.

Mr Inbetween

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802/1000
2018

Ray Shoesmith is a father, ex-husband, boyfriend and best friend: tough roles to juggle in the modern age. Even harder when you’re a criminal for hire.

Mayans M.C.

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732/1000
2018

Set in the aftermath of Jax Teller’s death, Ezekiel "EZ" Reyes is fresh out of prison and a prospect in the Mayans M.C. charter on the Cali/Mexi border. Now, EZ must carve out his new identity in a town where he was once the golden boy with the American Dream in his grasp.

Pose

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892/1000
2018

A dance musical that explores the juxtaposition of several segments of 1980s life and society in New York: the ball culture world, the rise of the luxury Trump-era universe and the downtown social and literary scene.

Trust

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800/1000
2018

The trials and triumphs of one of America's wealthiest and unhappiest families, the Gettys. Told over multiple seasons and spanning the twentieth century, the series begins in 1973 with the kidnapping of John Paul Getty III, an heir to the Getty oil fortune, by the Italian mafia in Rome.

Snowfall

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814/1000
2017

Los Angeles. 1983. A storm is coming and it's name is crack. Set against the infancy of the crack cocaine epidemic and its ultimate radical impact on the culture as we know it, the story follows numerous characters on a violent collision course.

Feud

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890/1000
2017

Anthology series of famous feuds with the first season based on the legendary rivalry between Bette Davis and Joan Crawford which began early on their careers, climaxed on the set of "Whatever Happened to Baby Jane?" and evolved into an Oscar vendetta.

Legion

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856/1000
2017

David Haller, AKA Legion, is a troubled young man who may be more than human. Diagnosed as schizophrenic, David has been in and out of psychiatric hospitals for years. But after a strange encounter with a fellow patient, he’s confronted with the possibility that the voices he hears and the visions he sees might be real.